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Elliott Earls 01.10.02 5:00 pm
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The
head of 2-D design at Cranbrook, Elliott Earls works in nonlinear digital
video, spoken-word poetry, music composition and performance art. His commercial
practice, The Apollo Program, includes clients such as Elektra Entertainment,
Scribner Publishing Co., Elemond Casabella (Italy), the Cartoon Network
(U.K.), Nonesuch Records and Janus Films. |
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Janet Williams 01.17.02 5:00 pm |
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British
born Janet Williams is an installation artist. Her lecture coincides with
the opening of her "Register Series" installation at the Residential
College. This work is part of her ongoing exploration of themes of memory
and loss, focusing here on the transformative function of fire in ceramics.
Her UM residence is supported by the Institute for the Humanities
Jill S. Harris Memorial Fund and the Residential College. |
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Amelia Amon 01.24.02 5:00 pm |
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Amelia Amon is an industrial designer who develops solar, water, and energy-efficient systems at Alt.Technica. Her current works include an interactive solar exhibit for Liberty Science Center, a fountain with integral photo voltaics for the National Design Museum of the Smithsonian, and a solar freezer cart for Ben & Jerry's Inc. |
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Christopher Csikszentmihályi 01.31.02 5:00 pm
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Christopher Csikszentmihályi is the Director of the Computing Culture group at the MIT Media Lab. An installation artist working with new technologies, he has shown and lectured internationally. His most recent installation, "Natural Language Processor," was shown at the Kiasma Museum in Helsinki. |
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Monika Fleischmann & Wolfgang Strauss 02.07.02 5:00 pm
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Monika
Fleischmann is a research artist with a background in fashion design, art,
drama, and computer graphics. Wolfgang Strauss is an architect focusing
on developing methods for intermedia representation in Mixed Realities.
Together they co-founded Art + Com, Berlin, one of the first transdisciplinary
institutes for computer-assisted media research. |
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Suzanne McClelland 02.14.02 5:00 pm
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Suzanne
McClellands work focuses on transmuting hearing, speech and sound
into visual language. In her paintings, she explores the everyday uses of
speech, particularly tone, phrasing and volume and their transposition onto
a surface through touch, color and space. As she notes, her interest "lies
in the gap between the spoken and the written, the written and the drawn
and what is gained and lost in translation." |
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Satoru Takahashi 02.21.02 5:00 pm |
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Installation
artist Satoru Takahashi is a visiting faculty member in the School. He describes
his work as follows: "I hit my head with a bottle to shatter myself.
Only the bottle broke into pieces and I got a flash of lightning in my pain.
By collecting fragments of the bottle, I tried to reconstitute the flash
of lightning. Montage of perception and montage of media: these are some
of the modules for my installations." |
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Frank Grunwald 03.07.02 5:00 pm
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An
industrial designer with training in painting, sculpture and furniture design,
Grunwald is currently the Manager of Strategic Design at Thomson Multimedia
in Indianapolis. He has lectured at the Milwaukee Institute of Art and Design,
Arizona State University, Purdue University, ITT Technical Institute and
the Indianapolis Museum of Art. |
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Kara Walker 03.10.02
3:00 pm |
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Often
using the medium of cut paper, Walker addresses slavery and its continuing
legacy in the American consciousness through provocative images pervaded
by themes of social power, race, gender, sexuality, and violence. This lecture
is presented in conjunction with her creation of a panoramic frieze installation
in the UM Museum of Art Apse. Walkers visit is supported, in part,
by the Friends of the Museum of Art and the Katherine Tuck Enrichment Fund. |
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Griselda Pollock 03.14.02 5:00 pm
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A
Professor of Social and Critical Histories of Art and Director of the Centre
for Cultural Studies, University of Leeds, Pollock is the author of Old
Mistresses: Women, Art and Ideology, Framing Feminism, Art
and the Womens Movement, and Vision and Difference. Sponsored
by "Looking Into Visual Culture," a program at the Institute for
Research on Women and Gender; with supplementary support from the Humanities
Institute, and the UM Museum of Art. |
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Stephanie Rowden 03.21.02 5:00 pm
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Stephanie
Rowdens installations are visual, aural, interactive and deeply private.
An invitation to listen is at the heart of experiencing her work. Rowdens
presentation will examine sound as an art medium from the gathering
of audio material, to the designing of sound scores and their integration
into her installations. Rowden is a visiting faculty member in the School.
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Heidi Kumao 03.28.02 5:00 pm
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Heidi
Kumao creates intimate installations, digital animations, and kinetic sculptures
that expose the underlying mechanisms and psychology of everyday situations.
A visiting faculty member in the School, she has exhibited nationally and
internationally and received grants from the National Endowment for the
Arts, and the New York Foundation for the Arts. |
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Leslie King-Hammond 04.04.02 |
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Art historian and essayist King-Hammonds publications include Masks
and Mirrors: African American Art (1750 - Now), Gumbo Ya Ya: An Anthology
of Contemporary African American Women Artists, and Three Generations
of African American Women Artists. She served as Director of the Ford
Foundation-Philip Morris Fellowships for Artists of Color Working in the
Visual Arts, and is currently Dean of Graduate Studies at Maryland Institute
College of Art. |
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Krzysztof Wodiczko 04.11.02 5:00 pm |
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Krzysztof
Wodiczko is renowned for his large-scale projections on architectural facades
and monuments and for his series of nomadic instruments for homeless and
immigrant operators. His work is exhibited nationally and internationally.
In 1998 he received the Hiroshima Prize for his contribution as an artist to world peace. Wodiczkos visit is partially supported by the UM Copernicus Endowment and the International Institute. |
| For more information
contact Kate West. Calendar of this months's lectures and events |