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17th Annual Student Awards Exhibition
February 26 -March 10, 2002
Reception: March 9, 2002: 7:00 pm
Join us in honoring the work of outstanding undergraduate students. This
year, over thirty awards will be presented.
Freedom and Just US
Jesse Connor
and Colin Matthes
February 14 - 21, 2002
Reception: February 18, 2002: 4:00 - 6:00 pm
Installation, prints and video projections by MFA candidates Jesse Connor
and Colin Matthes.
Exchange
Questions of Travel & Barriers
February 4 - 11, 2002
Reception: February 7, 2002: 6:30- 8:00 pm
Questions of Travel: A print exchange between students attending the University
of Georgia's summer 2001 workshop in Cortona, Italy.
Barriers: A portfolio
of prints by students in Professor Takeshi Takahara's fall 2001 Advanced
intaglio class and University of Michigan graduate students.
Eden
of Water
Linda
Hyong
January 14 - 22, 2002
Reception: January 31, 2002: 6:30- 8:00 pm
School of Art & Design Master of Fine Arts candidates Linda Hyong exhibits
her oil paintings, watercolors, digital and conventional photography.
Exhibition: Interpretation
Helen
C. Lee & Karen Sanders
January 14 - 22, 2002
Reception: January 22, 2002: 6:00- 9:00 pm
School of Art & Design Master of Fine Arts candidates Helen C. Lee
and Karen Sanders exhibit their recent experiments with different types
of photographic transfer techniques.
Individual's
Culture, Cultures Individual: The Tenable Non-Divide
Beili
Liu, Helen C. Lee & Michael Nagara
January 7 - 11, 2002
Reception: January 11, 2002: 6:00- 9:00 pm
Beili Liu, Helen C. Lee and Michael Nagara, first year Master of Fine Arts
degree candidates from the School of Art & Design, exhibit installation
prints and photography.
Penelope's Diary
Deborah
Campbell
December 5 - 18, 2001
Reception: December 7, 2001: 7:00- 9:00 pm
Deborah Campbell, Exhibitions Director of the Ann Arbor Art Center, exhibits
a series of mixed media constructions using the common element of cloth.
Ms. Campbell sees herself as artist as archaeologist, exploring
the past historically, collectively and metaphorically.
Coordinate Transform: A Crying Post Project
Dennis
Summers
November 2 - 30, 2001
Reception: November 2, 2001: 6:00- 8:00 pm
sin
nombres
Monte and Fico
Opening: August 15, 2001
Closing Reception: August 30, 2001: 7-10pm

MultiChrist
Steven Earl Weber
July 13-27, 2001

whowhatwhenWEARwhy
Nick Andersen, Sarah Burger, Kirk Davis, Clara Degalan, Aaron Henderson,
Julia Klein, Amber Lesicki, Jo Nelson, Jody Osentoski
June 22 - July 22, 2001
Wearable works that blur
the boundaries between genres, sculpture and apparel, functionality and
nonfunctionality, and performance and static art.
MFA
Works-in-Progress Exhibition 2001
May 5-31, 2001
MFA
Thesis Exhibition 2001
Brian Cressman and Anthony Smith
April 4-15, 2001
BFA
Exhibition 2001
April 25-29, 2001
This exhibition features work by Bachelor of Fine Arts degree candidates
from the School of Art & Design.
Inside,
Outside
Michael Underwood
March 20-31, 2001
Michael Underwood presents new nonfiction to model and depict attitudes
of travel physical, historical, subterreanean, mental, and linear.
Fill
the Gap
Anthony Smith
March 2-16, 2001

This
is the Reason Why
Geidre Berzanksis
February 1-14, 2001

(self-)
evaluated : series #3 : alienism
Sophie Rasul
January 15-30, 2001
PROCESSED FOR I-551: TEMPORARY
EVIDENCE OF LAWFUL ADMISSION FOR PERMANENT RESIDENCE: VALID UNTIL JULY
15 2005
(Re-figure)
Mark Porter and Cecilia Mendez
January 4-15, 2001

(Re-figure) inspired
double take; constructed; re-thought; reference to the figure; verb/noun/command
to re-make; re-consider; re-build; a play on 'go-figure'; active, present,
ambiguous/derivative of the human form.
An installation of 2-D & 3-D works by Mark Porter & Cecilia Mendez
conspiring to con/de/re-construct eceryday objects into hybrid inventions.
Gesture and Contemporary
Contemporary Painting
David Reed, Suzanne McClelland, Giles Lyon, Jesse Lambert, James Nares,
Andrea Belag, Eva Lundsager, Richmond Burton, Lydia Dona, Fabian Marcaccio,
Augusto Arbizo, Rochelle Feinstein, and Elizabeth Cooper.
October 29 November 30, 1999
Gesture and Contemporary
Painting examines implications of the use of gesture as a point of departure
in recent painting, and investigates the postmodern dilemma that a use
of gesture suggests. While gesture figures conspicuously in each artist's
work, it operates alternately as reference, representation, appropriated
form, concrete form, commentary, and/or handwriting.
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